/ c. 1532 Pontormo, Jacopo, real name Jacopo Carrucci; 1494–1557. 1532-34, 128 x 197 cm, Oil on panel, Uffizi, Florence Venus and Cupid - AKG1007965 Pontormo, Venus and Cupid, faces Pontormo, Jacopo, real nm. Jacopo Carrucci; 1494–1557. 1570 (Taken after restoration in 2002). [1] A preparatory study is in the British Museum and a copy by Michele di Ridolfo del Ghirlandaio is in the Palazzo Colonna in Rome. ... Bronzino, An Allegory with Venus and Cupid. The painting has come to be known as Venus, Cupid, Folly and Time, and it is generally agreed that these are the principal figures. Other copies are in the Royal Collection at Kensington Palace, in Hildesheim, a small version in Geneva attributed to Michele Tosini and two in the Museo di Capodimonte in Naples (one attributed to Hendrik van der Broeck and the other an anonymous drawing). L'opera figura negli inventari della Guardaroba medicea del 1553 e del 1560 e venne lodata da Benedetto Varchi che scrisse come fece innamorare "...gli uomini come la Venere di Prassitele...". Scholars do not know for certain what the painting depicts. It is now in the National Gallery, London. Venus, goddess of love, steals an arrow from her son Cupid’s quiver as she kisses him on the lips. Jacopo Carrucci; 1494–1557. Il disegno dovette essere realizzato nel 1532-1533, mentre il dipinto dovrebbe risalire al '33, prima comunque della partenza di Michelangelo per Roma nel 1534. No. Oil on wood, 127 × 191cm. Section: The faces of Venus and Cupid. A drawing found in Naples was once thought to be Michelangelo's, but is now thought to be a copy. “Venus and Cupid”, c. … [3], The painting was owned by Alessandro de' Medici and early in its life it was censored to cover Venus's nudity, as was the Rome copy. Jacopo Carrucci; 1494–1557. (From a cartoon by Michelangelo). Venere giace in tutta la lunghezza del dipinto, col busto sollevato su un panno azzurro e il capo rotato a baciare Cupido, suo figlio e amante, che le arriva da dietro, intrecciandosi a lei col braccio che le volta la faccia coprendole il collo e la gamba che copre, solo in parte, il pube. Storia. Uno studio preparatorio si trova al British Museum (inchiostro su carta, 5,8x12,1 cm). (Pontormo) Venus and Cupid is an oil painting on panel of c. 1533 by Pontormo, from a lost drawing or cartoon by Michelangelo, in the Galleria dell'Accademia in Florence. Venus and Cupid - AKG338498 Pontormo, Venus and Cupid, section Pontormo, Jacopo, real nm. Venere e Amore è un dipinto a olio su tavola (128×194 cm) di Pontormo, su disegno di Michelangelo Buonarroti, databile al 1533 circa e conservato nella Galleria dell'Accademia a Firenze. “Venus and Cupid”, c. 1532/34. The work was only rediscovered in 1850 and two years later the restorer Ulisse Forni removed most of the repainting except for the piece of cloth across Venus's genitalia, mostly restoring it to its original appearance. “Venus and Cupid”, c. … Venus and Cupid (Lotto), a painting by Lotto Venus and Cupid (Pontormo), a painting by Pontormo Venus and Cupid (sculpture), the popular name of the 2005 sculpture, Love, The Most Beautiful Of Absolute Disasters, by Shane A. Johnstone Venus and Amor, also known as Venus and Cupid, a 1524 painting by Hans … Parmigianino, Madonna of the Long Neck. Inv. The drawing must have been produced between 1532 and 1533 and the painting in 1533, before Michelangelo left for Rome the following year. It is now widely thought that this painting is in fact by Bronzino, who was Pontormo’s pupil, and so in fact a collaboration between the two: this hypothesis gains further weight seeing how the figure of the young woman was taken from a drawing by the maestro Pontormo of Venus and Cupid, whereas it is certain … Oil on wood, 127 × 191cm. No. ), venere e cupido (da michelangelo).JPG 2,643 × 2,076; 4.35 MB 80% off a Hand Made Oil Painting Reproduction of Venus and Cupid, one of the most famous paintings by (Jacopo Carucci) Pontormo. Venus and Cupid. 1570 (Taken after restoration in 2002). Venus and Cupid (Pontormo) Usato nelle seguenti pagine di es.wikipedia.org: Pintura mitológica; Anexo:Pinturas de Venus desnuda; Usato nelle seguenti pagine di fr.wikipedia.org: Vénus et Cupidon (Pontormo) Usato nelle seguenti pagine di hy.wikipedia.org: Միքելանջելոյի աշխատանքների ցանկ Venere afferra la freccia che Cupido tiene in mano, forse un'allusione agli inganni dell'amore, a cui rimandano anche le due maschere attaccate all'arco di Cupido a sinistra, vicine ad altri elementi simbolici: un fantoccio moribondo in una scatola scura e un bacile ricolmo di rose. Cupid and Venus … Altre repliche si trovano a Kensington Palace, al Museo di Capodimonte a Napoli (un cartone di anonimo e una copia attribuita a Hendrik van der Broeck), a Ginevra (piccola copia attribuita a Michele Tosini) e a Hildesheim: lo stesso Vasari ne fece in totale tre, per Ottaviano de' Medici. Il cartone michelangiolesco con questo soggetto è ricordato già nell'Anonimo Magliabechiano (1537-1542), che cita pure la stesura di Pontormo per Bartolomeo Bettini, un amico del Buonarroti. Al centro si trova un'apertura paesistica. I also wanted to test myself in their representation. Francesco brina (attr. Bronzino, Portrait of Eleonora of Toledo with her son Giovanni. Florence, … [2], Michelangelo's drawing was first recorded by the Anonimo Magliabechiano (1537–1542), who also noted that Pontormo's painting derived from it was produced for Bartolomeo Bettini, a friend of Michelangelo's. Venus and Cupid - AKG330883 Pontormo, Venus and Cupid Pontormo, Jacopo, real nm. Florence, Galleria degli Uffizi. http://www.scudit.net/mddivietiarteridolf.htm, Tomba di Lorenzo de' Medici duca di Urbino, Ritratto di Lorenzo de' Medici duca di Urbino, Tomba di Giuliano de' Medici duca di Nemours, Ritratto di Giuliano de' Medici duca di Nemours, Basilica di Santa Maria degli Angeli e dei Martiri, Aspetti psichici nell'opera di Michelangelo, https://it.wikipedia.org/w/index.php?title=Venere_e_Amore&oldid=78511100, Collegamento interprogetto a una categoria di Wikimedia Commons presente ma assente su Wikidata, Errori del modulo citazione - citazioni con URL nudi, licenza Creative Commons Attribuzione-Condividi allo stesso modo. Oil on wood, 127 × 191cm. Venus, Cupid, Folly and Time is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. Bronzino, Portrait of Eleonora of Toledo with her son Giovanni. Il cartone di Michelangelo, perduto, venne cercato in un disegno a Napoli, poi riattribuito come copia. Si sa che il dipinto appartenne ad Alessandro de' Medici e che prematuramente venne "castigato" coprendo le nudità di Venere: anche la copia che ne fece Michele di Ridolfo del Ghirlandaio, oggi a Palazzo Colonna a Roma, ebbe lo stesso destino di censura, ora rimossa. That cloth was finally removed in 2002. Artist: Jacopo Pontormo, Style: Mannerism (Late Renaissance), Genre: mythological painting, Themes: Greek-and-Roman-Mythology, Cupid-and-Psyche, Aphrodite/Venus It was recorded in inventories of the Guardaroba medicea in 1553 and 1560 and was praised by Benedetto Varchi, who wrote that it made men fall in love with it "as with Praxiteles's Venus". About 1546, Bronzino was commissioned to create a painting that has come to be known as Venus, Cupid, Folly, … Venere e Amore è un dipinto a olio su tavola (128×194 cm) di Pontormo, su disegno di Michelangelo Buonarroti, databile al 1533 circa e conservato nella Galleria dell'Accademia a Firenze. Practice: Pontormo, The Entombment of Christ. Talk:Venus and Cupid (Pontormo) Jump to navigation Jump to search. L'opera originale venne riconosciuta solo nel 1850 e nel 1852 il restauratore Ulisse Forni la riportò alle sue forme originarie eliminando le ridipinture, tranne un lembo di panno che copriva il pube della dea, tolto nel 2002. Inv. Section: The faces of Venus and Cupid. Florence, … It is now in the National Gallery, London. Venus, Cupid, Folly, and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting by the Florentine artist Agnolo Bronzino. Media in category "Venus and Cupid after Michelangelo" The following 17 files are in this category, out of 17 total. Michelangelo's image 'Venus and Cupid' was intended to be realized in paint by Pontormo and the painting hung in a room in Bettini's palazzo, beneath portraits by Bronzino representing the Tuscan poets Dante, Petrarch and Boccaccio, and thus to be a visual complement to the love poetry brought to mind by the portraits of … [4], https://en.wikipedia.org/w/index.php?title=Venus_and_Cupid_(Pontormo)&oldid=960309396, Articles with Italian-language sources (it), Articles with infoboxes completely from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 2 June 2020, at 07:13. Jacopo Pontormo (1494–1557) After a drawing by Michelangelo Buonarroti Venus and Cupid, ca. Its main figure - Venus, goddess of love - (identified by her doves and by the golden apple given to her by Paris) disarms her son Cupid (identified by his wings and quiver) by taking away his arrow as they embrace incestuously. Venus and Cupid - AKG831777 Pontormo / Masks / Paint. Venus and Cupid is an oil painting on panel of c. 1533 by Pontormo, from a lost drawing or cartoon by Michelangelo, in the Galleria dell'Accademia in Florence. Jacopo Carrucci; 1494–1557. Venus and Cupid - (Jacopo Carucci) Pontormo - WikiGallery.org, the largest gallery in the world: wikigallery - the largest virtaul gallery in the world with more than 150,000 on display. Venus and Cupid: a theme dear to many artists and especially to many clients, before and after the Renaissance. Bartolomeo Bettini wanted to decorate the most important room of his home with a very interesting pictorial program and entrusted the … Venus and Cupid 1532-34 Oil on wood, 128 x 197 cm Galleria degli Uffizi, Florence: Venus turns her massive body into the picture plane, confronting the viewer with it and with the incestuous kiss she gives her young son - a juxtaposition recalling more conventional allegories of Charity. No. Venus and Cupid. Always open and always free! Parmigianino, Self-Portrait in a Convex Mirror. Inv. Pontormo: Venus and Cupid Artist: Pontormo (1494–1557) ... 2 January 1557 / 31 December 1556 / 2 January 1557 Location of birth/death: Pontormo … “Venus and Cupid”, c. 1532/34. “Venus and Cupid”, c. 1532/34. Venere e Cupido, 1533 di Jacopo Pontormo compra come stampa artistica. (From a cartoon by Michelangelo). Venus and Cupid: Galleria dell'Accademia: 1533 oil paint wood: mythological painting nude: Venus Aphrodite woman nudity half reclining glabrousness umbilicus breast areola nipple blond hair diadem drapery Cupid Eros putto bird's wing kiss arrow arch mask landscape 1570 (Taken after restoration 2002). Free certificate of authenticity free shipping. Bronzino may have recalled a painting by his teacher Pontormo showing Venus robbing Cupid of his arrow (Uffizi, Florence), which was based on a drawing by Michelangelo. (From a cartoon by Michelangelo). Venus and Cupid - AKG330884 Pontormo, Venus and Cupid, faces Pontormo, Jacopo, real nm. A preparatory study is in the British Museum and a copy by Michele di Ridolfo del Ghirlandaio is in the Palazzo Colonna in Rome. Stampato con attenzione ai dettagli sulla vera tela dell'artista. Giorgio Vasari made three copies for Ottaviano de' Medici. L'opera d'arte Venus and Cupid - Pontormo riproduzione consegnata, oppure stampata su tela verniciata, su carta di alta qualità. Puoi scegliere il formato esatto. WikiProject Visual arts (Rated Start-class) This article is within the scope of WikiProject Visual arts, a collaborative effort to improve the coverage of visual arts on Wikipedia. Pontormo after Michelangelo - Venus and Cupid. Evidente è la derivazione michelangiolesca nelle forme scultoree di Venere e nella complicata posizione degli amanti, colti in torsioni innaturali. Questa pagina è stata modificata per l'ultima volta il 26 gen 2016 alle 13:29. Order an authentic 100% hand-painted oil painting reproduction of Venus and Cupid, one mythological painting done by Jacopo Pontormo in 1533, corrrently collected at Uffizi Gallery, Florence, Italy. Agnolo di Cosimo Bronzino, An Allegory with Venus and Cupid, c. 1545, oil on panel, 146.1 x 116.2 cm (National Gallery, London) Speakers: Dr. Beth Harris and Dr. Steven Zucker This passage by Vasari is most likely related to this canvas: "And he painted a picture of singular beauty that was sent to King Francis in France, wherein was a nude Venus, with a Cupid …